KINO-JOURNAL THE AMAZED SPECTATOR # 12354C – 21-05-2015 – 3D ANAGLHYPIC PHOTO-PICTURES AMPHITHEATRUM INT. DAY EDGAR PÊRA What kind of stuff did amaze you as a teenager? TOBY MILLER I guess in my teen years I … More KINE-KOSMOPOLITANISM (A CONVERSATION WITH TOBY MILLER PART 2)
4 years ago I was invited to show at the Busan Film Festival O Barão/The Baron and Movimentos Perpétuos/Perpetual Movements I was also invited to make a speech about my own experience as a filmmaker. I decided to write also about my own concept of cine-cosmopolitanism and its relation to my own cinema. Meanwhile my … More (MY) TRANS-REALISM, (MY) CINE-COSMOPOLITANISM…ETC… (BUSAN CONFERENCE 2011)
KINO-JOURNAL OF THE AMAZED SPECTATOR # 0923LM-2015 ANAGLYPHIC 3D PICTURES © Edgar Pêra Production Bando À Parte Edgar Pêra: So, Laura, do you remember what was the first film you ever saw? Laura Mulvey: Yes. E.P.: And what kind of feelings did you have, at that time? Laura Mulvey: Well, it’s a rather strange story. I … More AMAZEMENT & FEAR (LAURA MULVEY INTERVIEW PART 1)
KINO-JOURNAL OF THE AMAZED SPECTATOR: SKYPE CONVERSATION WITH GUY MADDIN 23-09-2015 (AN INTRODUCTION AND AN ENDING) ANAGLYPHIC 3D PICTURES © Edgar Pêra Production Bando À Parte GUY MADDIN: Hi Edgar! EDGAR PÊRA: Hi Guy! GUY MADDIN: How are you doing? EP: Fine…I´m not seeing you… GUY MADDIN: Not seeing yet. Hang on a second. I´m not … More A 3D GUY (A CONVERSATION WITH GUY MADDIN PART 1 & 5)
THE AMAZED SPECTATOR KINO-JOURNAL # 3904MT-2015 I first met Marina Turco 11 years ago in Amsterdam. I had a retrospective at the World Wide Video Festival (curated by Tom van Vliet), and she’d seen our cine-concert “Sudwestern”, a live performance of actors musicians and myself shooting, while mixing with previous images shot the day before at … More MOVING IMAGES & MOBILE SPECTATORS (MARINA TURCO INTERVIEW PART 1)
RELATÓRIOS D’O ESPECTADOR ESPANTADO 9 Abril 2010 Pauline Kael foi uma voz peculiar e ideossincrática. Kael escrevia sobre cinema com paixão e entusiasmo. Ainda hoje os seus textos provocam emoções no leitor. Cáusticas, hilariantes, empáticas, as criticas de Kael versam sobre quase todo os géneros cinematográficos. De forma apaixonada brandia os filmes. Fazia deles armas ou alvos. … More Espectador Cerebral versus Espectador Visceral – A CONDIÇÃO DO ESPECTADOR SEGUNDO PAULINE KAEL
KINO-DIÁRIOS D’O ESPECTADOR ESPANTADO (FOTOS 3D ANAGLÍFICAS) Os primeiros filmes a serem visionados formam um imprinting no espectador? Podemos estabelecer uma analogia entre este fenómeno etológico e o visionamento de filmes? O primeiro filme que vemos estabelece um elo inquebrantável com o espectador e serve como um guia de visões futuras? E.P: Acha que, quando da … More KINO-IMPRINTING (ENTREVISTA MANUEL DOMINGOS PARTE 1)
KINO-JOURNAL of THE AMAZED SPECTATOR #’19203 – 22-05-2015 EDGAR PÊRA – So, have you made up your mind about the film you first saw? LAURA RASCAROLI – I’m not sure what was the first film that I saw but certainly it’s the fist memory of being at the cinema. I remember being at the cinema with my … More FIRST & LAST VIEWINGS (LAURA RASCAROLI INTERVIEW PART 1)
KINO-JOURNAL of THE AMAZED SPECTATOR # 3235W EDGAR PÊRA –I’d like to ask you first if you remember what was the first movie you saw in a cinema theatre. WANDA STRAUVEN – Yes, the first movie I saw in a movie theatre, well that I remember… it was Pinocchio, the Walt Disney animation film. And I also remember … More NEO-SPECTATORS AND THE RELOCATION OF CINEMA (WANDA STRAUVEN INTERVIEW PART 1)
KINO-DIARY – THE AMAZED SPECTATOR – MAY 2014 3D ANAGLYPH PICTURES – © Edgar Pêra – Production Bando À Parte EDGAR PÊRA: Do you always sit in the first row? OLAF MÖLLER: Only wimps sit somewhere else. A true cinephile is always in the first row. E.P. : Do you agree with Roland Barthes who said … More THE FIRST KINO-VIEWINGS OF OLAF MÖLLER
© EDGAR PÊRA 